ORIGO is where your work remembers where it came from. Register it in one move. Say who can build on it and what comes back to you when they do. Your face, your voice, your footage: you say yes, and you can take that yes back.
This is your studio. Register what you make, say what people may do with it, wire your accounts once, and make it law where you live.
FlowMe will walk you through your next step, hands-on.
Music, video, photos, a script, a 3D model, a song somebody sang in your kitchen. Same spine for all of it.
Your file is fingerprinted here, in your browser. We keep the fingerprint. You keep the file.
LiveKeep it, or put it in the pool. Pool it and 10% of whatever a derived work earns comes back to you, forever.
LiveA face, a voice, somebody's house, a piece of music. They answer from their own phone, and they can take it back. Every cut built on it goes with them.
LivePulling it out of the pool writes the usage and the lineage in the same breath. A cut can never lose track of what it was made from.
LiveThe split runs and the share climbs back up the graph to everyone the work was made from. Ancestors can never take more than half, so whoever made the thing keeps the majority.
LiveThe certificate is evidence. A national registry is title. ORIGO fills the real government forms and hands you the envelope to send.
🇲🇽 LiveThis isn't a screenshot. Paste a lyric, a title, a script — anything you made. It's hashed on your device, signed, and written to the real ORIGO ledger with a certificate. Nothing leaves your browser but the fingerprint.
Works registered
Latest certificate
On-device fingerprinting
Everything people have opened up, with the licence attached and the way back to whoever shot it already wired. Pull a clip and the usage is written for you: nobody has to remember to give credit, and nobody has to chase anybody for it later.
Cut with it, remix it, translate it. Credit required. 10% of what your version earns walks back to the person who shot it. A paid project needs its own conversation.
Same thing, and it can go into something that sells. Same credit, same 10% home. The clip only reaches this shelf because its owner put it here.
Registered, fingerprinted, anchored, credited to you, and nobody can build on it. Keeping it costs you nothing. That is what makes the other two an offer instead of a toll gate.
Ranked by how close a work sits to what you are building: the same source first, then the people already in your split, then the project, then the medium. Every suggestion says why it came up, so you can argue with it.
Put a number in and watch it break apart. Everyone in the split takes their share, then every work this one was built from takes the cut its licence asked for, all the way up. Ancestors can never take more than half: whoever made the thing keeps the majority.
ORIGO is a registry. It is not a broker, a platform that sells your work, or an investment of any kind. Registering is free and what it gives you is a record of ownership and a royalty path: who is owed what share, if and when the work earns. ORIGO never holds your money and cannot make anything earn.
ORIGO cannot make anything earn. What it can do is sit underneath the places where work already changes hands in our own flow, so that when something does earn, the split runs on the real number instead of on somebody's memory.
Event drops, cuts and films. The clip you shot carries its certificate into the edit, and what the cut takes in from supporters is split against that.
The songbook and the chord sheets. Whoever transcribed a chart is credited on it, so an arrangement has an owner before anyone asks who to pay.
Sessions, ebooks and online courses, where a sale already splits per offer between the voice and the house. That split is the same shape as the one here.
Anywhere else: report the sale and the same arithmetic runs. ORIGO does not have to be the shop, and it never is the bank.
Somebody in Oaxaca or Buenos Aires gets paid in pesos, into the account they already have, without ever touching a wallet or learning a single new word.
Revenue lands on a split contract and each person withdraws directly. ORIGO never holds a balance or a key on either rail: we do the arithmetic, the money is never ours.
A licence says what anyone may do with the FILE. It says nothing about the people inside it. Ask them here and they answer from their own session, so the record says they agreed rather than that somebody said they did. And they can take it back at any time, which is the part that makes it consent at all.
Nobody had to be asked, or everybody answered. It can go out.
It can still be pulled into something free. It cannot go into anything that sells until they reply.
Refused, withdrawn, or the grant ran out. Nothing pulls it, and every cut already built on it is blocked with it.
Licence, split, lineage, clearances and proofs in one file anyone can read and archive next to yours. It is generated the moment you ask for it, never stored: if somebody withdrew their face this morning, the contract says so this morning.
The ORIGO certificate is your instant, private proof. From there we carry the same work into the real government registry, jurisdiction by jurisdiction. México is wired end-to-end today; Argentina is next.
INDARELÍN (the online portal) is suspended since Feb 2026 — registration now goes by email. ORIGO fills the official RPDA-01 from your profile and assembles the whole submission for you.
Your profile + work fill the real RPDA-01 (and the pseudonym annex) — ready to review.
Print, sign autograph, scan. INDAUTOR requires a handwritten signature for works.
Pay the federal fee online or at a bank with the included hoja de ayuda.
ORIGO drafts the email to registro.obras@cultura.gob.mx with every document attached. You hit send.
In process: mapping the DNDA deposit flow via TAD (Trámites a Distancia) so the same one-click submission works for Argentine creators. Home base — first after México.
eCO electronic registration on the roadmap.
EU-wide provenance + deposit on the roadmap.
Cross-border recognition via WIPO instruments.
Registering proves you made it. Shipping gets it heard. FlowMe walks you through connecting every account an independent artist needs — identity, distributor, streaming profiles, publishing & royalties, socials, payouts — so each release goes out in one move.
A guided checklist that lives on your device. FlowMe shows you exactly where to sign up, what to claim, and how your ORIGO ownership splits carry into your distributor — so you never lose a credit or a royalty.